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State of the art

Exploring Roppongi and Tennozu, 2 of Tokyo's artsiest neighbourhoods

Nosotros know it's hard to believe, but Roppongi, Tokyo's glitzy underbelly of pricey booze, sleazy clubs and bazaar shopping, lives a double life as the city'southward fine art hub. The capital's near famous entertainment district, one time known equally 'High Touch on Town', prides itself on an impressive assortment of small galleries and big museums – the cultural legacy of gentrification efforts over the concluding decade.

Farther southeast, Tennozu Isle is no stranger to the fine art, or bamboozlement, of transformation from the bottom up either. In fact, the bogus island was literally dredged up from the depths of Tokyo Bay during the 1920s and '30s. Recently, extensive waterfront planning has seen the hitherto quiet warehouse commune re-emerge as a be-muraled town dotted with canalside cafés, loftier-rising office buildings, hip hotels and art galleries.

Roppongi

This year, Roppongi'due south art cred was raised to new heights with the opening of the Complex665 edifice (six-five-24 Roppongi, Minato-ku), which houses a trifecta of influential galleries: Tomio Koyama, ShugoArts and Taka Ishii. The building sits on a residential back street tucked away from the hustle and bustle of Roppongi, but is hard to miss thanks to what appears to be a squiggle painted on its side. This symbol is the logo designed for Complex665 by creative person Yoshihisa Tanaka, who imagined how a 'fictional artist named 665 might sign their own work'.

A major histrion in Tokyo'south contemporary fine art scene, Tomio Koyama Gallery moved into the second floor of the building from their previous location in Sendagaya, employing young architects Toru Murayama and Ayako Kato to design their new two-room exhibition space. They correspond an impressive roster of artists in Japan, including wunderkind photographer Ryan McGinley, American postal service-minimalist Richard Tuttle and Yoko Ono.

Also on the second flooring is ShugoArts, who accept championed the avant-garde of Japanese art since the mid-'80s. Their gallery was designed by builder Jun Aoki, besides responsible for facelifting the façade of the Louis Vuitton edifice in Ginza. Unlike their flatmates, ShugoArts keep the shop open on Sundays.

Calling dibs on the meridian bunk are Taka Ishii Gallery, who stand for heavy-hitters like Elmgreen & Dragset, Nobuyoshi Araki, Daido Moriyama and Thomas Need. Piece of furniture and interior design gurus Broadbean, whose offices occupy the ground floor, were enlisted to design the sleek gallery infinite on the third floor, which wonderfully feeds off natural light coming in from the plant terrace.

If you've enjoyed killing a whole flock of birds with ane rock, then head over to the Piramide Building (half dozen-half dozen-nine Roppongi, Minato-ku), which is another great case of the tried-and-tested 'power in numbers' model of art collectives. Leading galleries Ota Fine Arts and Wako Works of Art are among its famous tenants.

Rising above the rest both in acme and, arguably, in might, the 238-metre Roppongi Hills Mori Tower is habitation to the Mori Art Museum, which holds some of Tokyo's nearly ambitious and influential exhibitions. A retrospective dedicated to the Indian artist North S Harsha will be unveiled in Feb 2017.

The brainchild of mode (and fragrance) designer Issey Miyake and young man design greats Taku Satoh and Naoto Fukasawa, 21_21 Blueprint Sight more than underscores Roppongi'southward role as the focal point of Tokyo's fine art scene. The mutual focus of their ever-changing lineup of exhibitions is interdisciplinary design.

The National Art Center (NACT), designed past Kisho Kurokawa of Nakagin Capsule Tower fame, boasts the largest exhibition infinite of whatsoever museum in Japan. Unlike most of its counterparts, NACT is an 'empty museum', which means it does not have a permanent collection, instead choosing to committee i-off exhibitions – their Monet prove was the second nearly visited exhibition in the world in 2007.

Located in Tokyo Midtown and designed by renowned architect Kengo Kuma, the Suntory Museum of Art possesses the biggest drove of Japanese arts and crafts in the land, comprised of a whopping 3,000-plus objects. Their tea ceremonies, staged on the sixth floor every second Thursday, are a must do.

And for the 'Peanuts' fans out in that location, Roppongi has a Snoopy Museum, showcasing Charles M Schulz'south original drawings and fine art for the love series. A number of the cartoonist's early works, vintage collectibles and other materials are too on brandish.

Tennozu Isle

Backed by the Terrada warehouse company, which does far more than than but stock Tokyoites' leftover holding, Tennozu'south new Archi-Depot museum displays a whopping 116 architectural models by Japanese starchitects, including works by Kengo Kuma, Shigeru Ban and Riken Yamamoto. While the exhibition warehouse isn't exactly a sight to behold, the architectural models – depicting both real buildings and unrealised projects – gleam similar miniature cabinets of curiosities. Later paying a visit to Archi-Depot, y'all're sure to walk away with a renewed appreciation for Tokyo'due south beautiful buildings, often disregarded in the relentless hustle and bustle of our dear city.

Merely a stone'due south throw away from Archi-Depot lies the hit art supplies 'laboratory' Paint, designed by Kuma and inspired by the await and feel of bamboo. It stocks more four,500 colour pigments, fifty kinds of brute glues, and a number of acme-quality traditional painting tools including over 200 antiquarian ink sticks. The staff are all well-versed in the intricacies of the products and are happy to show yous how to use them.

Taking a cue from their comrades over in Roppongi, four contemporary art galleries recently decided to nestle against each other on the 3rd floor of the Terrada Fine art Circuitous. The quartet is comprised of Kodama Gallery, who are getting ready for a solo show past Japanese artist Gaëtan Kubo opening January 14; Urano, representing domestic talents such as Takahiro Iwasaki, who volition exist flying the flag for Japan at the 2017 Venice Biennale; Yamamoto Gendai, who count the legendary luminary Richard Serra amidst their artists; and Yuka Tsuruno Gallery, known for their collaborations with renowned artists Candida Höfer and José Parlá. Lest yous forget your surrounds, the galleries are located inside a fully operating warehouse and are only accessible past a service elevator.

Every bit the former and current residents of neighbourhoods similar London's Shoreditch and New York's Brooklyn will tell y'all, gentrification is a double-edged sword that tears through the one-time to make fashion for the new. Whichever side of the third wave café/local caff divide y'all're on, the number and density of art galleries is often a good litmus test for how far a neighbourhood has come downwards the line. Less than half an 60 minutes apart, Roppongi and Tennozu Isle offer two different cases to report for those interested in the sociocultural effects of Tokyo'southward urban planning. Or you could merely await at the fine art.

Terrada's main warehouse (2-half-dozen-10 Higashi-Shinagawa, Shinagawa-ku) is belongings an exhibition on David Bowie from January viii to Apr 9 – be sure to get your tickets in advance.

Find more galleries in Roppongi

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Source: https://www.timeout.com/tokyo/art/state-of-the-art

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